EDUCATION

School of the Art Institute of Chicago, Chicago, IL, Dean's Scholarship, MFA, 2018

Co-Active Training Institute (CTI), London, UK, Professional Coaching Training, Certification & Leadership Programs, 2011-2013

School of the Museum of Fine Arts Boston, Boston, MA, Attended Diploma Program, 1986-1991

Saint Mary's College, BFA, Notre Dame, IN, 1979

TEACHING/LECTURES

Women Artists Connect online courses and community, Creator and Host, 2024-ongoing

School of the Art Institute of Chicago, Adult Continuing Education, Chicago, IL, 2017-Present

Murphy Spicer • Artist Coach, Courses, Online, 2020-present

Virginia Commonwealth University, Art Foundations Program, Richmond, VA, 2018-2021

School of the Art Institute of Chicago, Contemporary Practices, Chicago, IL, 2016-2017

The University of the West of England, Drawing, Bristol, UK, 2010-2012

Art Institute of Boston, MFA Program Mentor, Boston, MA, 2008

Institute of Contemporary Art Boston, Drawing Course, Boston, MA, 2003

Visiting Artist

Saint Mary’s College, Notre Dame, IN, 2019

Camberwell College of Arts/University of the Arts London, Drawing, London, UK, 2015

The University of the West of England, Architecture, Bristol, UK, 2013

School of the Museum of Fine Arts, Drawing, Boston, MA, 2008

Memphis College of Art Gallery, Memphis College of Art, Memphis, TN, 2004

Atlanta College of Art Gallery, Atlanta College of Art, Atlanta, GA, 2003

New England School of Art and Design, Boston, MA, 2003

COACHING

Professional Certified Coach (PCC), International Coaching Federation, 1:1 Coaching & Courses

Murphy Spicer • Artist Coach, Bath and London, UK, and Charlottesville, Virginia, 2010-2014/2020-Ongoing

EXHIBITIONS

Solo Exhibitions

Page Bond Gallery, Some of the 100 Things, Richmond, Virginia, 2020 (catalog)

Hammes Gallery, Saint Mary’s College, The New Brag Paintings, Notre Dame, Indiana, 2019

Page Bond Gallery, Hiding in Plain Sight, Richmond, Virginia, 2017

Page Bond Gallery, Finding Shapes as a Way of Orienting Oneself, Richmond, Virginia, 2016

RaumX London, more than momentary: ENJOY, London, UK, 2015 (book)

Carroll and Sons, Disrupted Drawings, Boston, MA, 2015

18m Salon, The Shapes in this Place, Berlin, Germany, 2012 (catalog)

Carroll and Sons, Biking in Berlin, Boston, MA, 2012

RoosArts Gallery, re:location, Rosendale, NY, 2011

University of Maine Museum of Art, Hanging Drawings, Bangor, Maine, 2011

Bernard Toale Gallery, Provisional, Boston, MA, 2007

Bernard Toale Gallery, Poured Tape Drawings, Boston, MA 2007

Bernard Toale Gallery, Cardboard Actions, Boston, MA, 2006

Art Complex Museum, Nancy Murphy Spicer, Duxbury, MA, 2004

Bernard Toale Gallery, New Drawings, Boston, MA, 2004

Curatorial Projects

Site Gallery, School of the Art Institute of Chicago, Making Out, Chicago, IL, 2017
Co-curated group exhibition including a collaborative, participatory installation

RaumX London, more than momentary: ENJOY, London, UK, 2015
Created participatory, a curatorial project engaging 24 international participants

faethm, Charlottesville, VA, 2015
Co-curated multi-disciplinary salon

Spike Island Open Studios 2009, For Real, Bristol, UK, 2009
A curated exhibition bringing together works by five US and five UK artists

Selected Group Exhibitions

Wavelength Space, Femme Vitale, Chatanooga, TN, 2021

Page Bond Gallery, Wonder Women, Richmond, VA, 2021

Sullivan Galleries, School of the Art Institute of Chicago, Low-Residency MFA Thesis Exhibition, 2018

Site Gallery, School of the Art Institute of Chicago, Making Out, Chicago, IL, 2017

Page Bond Gallery, Summer Exhibition, Richmond, VA, 2017

Studio Voltaire Open Studios, SHOP, London, UK, 2016, curated by Andy Parker

Mills Gallery, Boston Center for the Arts, Feelers: Boston Drawing Show, Boston, MA, 2015, curated by Susan Metrican

University of New Hampshire Museum of Art, The Physicality of Color, Durham, NH, 2015

Middlesex School, Place Value, Concord, MA, 2014, curated by Meg Alexander

Salve Regina University, Locating Place, Newport, RI, 2012

Wimbledon College of Art, Thinking Through Drawing, interdisciplinary symposium, London, UK, 2012

Spike Island Test Space, Bristol Diving School Curatorial Exercise #1, Bristol, UK, 2012, curated by Tom Prater

Chapter, Ubersong, Cardiff, Wales, 2011, (performance), curated by Yvonne Buchheim

RoosArts, Mark Paper Scissors, Rosendale, New York, 2010, curated by Heige Kim

Boston University 808 Gallery, Traces and Places, Boston, MA, 2010, curated by Lynne Cooney

Brattleboro Museum, Drawing Itself: A Survey of Contemporary Practice, Brattleboro, VT, 2010

Feature, Inc., Power to the People, New York, NY, 2010

VIVID, The Act of Drawing, Birmingham, UK, 2009, curated by Kaye Winwood

Mills Gallery, Boston Center for the Arts, Drawings That Work, Boston, MA, 2009

Spike Island Open Studios, For Real, Bristol, UK, 2009, curated by Nancy Murphy Spicer

Kunstraum Kreuzberg/Bethanien, Anonymous Drawings #9, Berlin, Germany, 2008

Montserrat College of Art, Many Kinds of Nothing, Beverly, MA, 2008, curated by Shana Dumont (catalog)

Mills Gallery, Boston Center for the Arts, 20th Drawing Show, Boston, MA, 2007

Barbara Krakow Gallery, Annual AIDS Benefit Exhibition, Boston, MA 2005, 2006

Bernard Toale Gallery, Chris Martin, Boston, MA, 2006, curated by Chris Martin

Nave Gallery, 2005 Somerville Arts Council Grant Winners Show, Somerville, MA, 2005

Green Street Gallery, 150 x 150, Jamaica Plain, MA, 2002, 2003, 2004, 2005, 2006

Memphis College of Art, Seamless, Memphis, TN, 2004, curated by Cynthia Thompson (catalog)

Tufts University, Tufts First Annual, Medford, MA, 2004, curated by Amy Schlegel

Fitchburg Art Museum, New England/New Talent, Fitchburg, MA, 2004, curated by Kristina Durocher

Mills Gallery, Boston Center for the Arts, 18th Boston Drawing Show, Boston, MA, 2004, curated by Raphaela Platow

Forest Hills Educational Trust, The Four Elements, Boston, MA, 2003, curated by James Hull, Nick Capasso

Atlanta College of Art Gallery, Flat Not Flat, Atlanta, GA, 2003, curated by Lisa Fischman

Brickbottom Gallery, Surrounded, Somerville, MA, 2003

Green Street Gallery, Chris Nau and Nancy Murphy Spicer, Jamaica Plain, MA, 2002, curated by James Hull

Bernard Toale Gallery, The Drawing Show, Boston, MA, 2001, curated by James Hull & Bernie Toale

Mills Gallery, Boston Center for the Arts, 17th Boston Drawing Show, Boston, MA, 2001, curated by Bill Arning

Somerville Museum, 2001 Somerville Arts Council Grant Winners Show, Somerville, MA, 2001

SELECTED BIBLIOGRAPHY

"There is a tremendous openness to the progression of life in these works as Murphy Spicer dutifully, carefully, records the world before her.”
Michael Royce, Essay for Some of the 100 Things Exhibition Catalog, Page Bond Gallery, Richmond VA

"Like the nerd crowned prom queen, Murphy Spicer’s works glory in the awkwardness of it all."
Cate McQuaid, The Boston Globe

“Murphy Spicer makes work that is visually alluring, cerebral, all the while being provocatively casual."
Shana Dumont Garr, New American Paintings blog

“Somewhere indefinable between painting, sculpture, and drawing resides Nancy Murphy Spicer's Drawing Objects.” 
Shawn Hill, South End News

Some of the 100 Things Exhibition Catalog, 2020, Essay by Michael Royce

The New Brag Catalog, 2018, Artists Statement

New American Paintings Blog, July 2015, Nancy Murphy Spicer's Disrupted Drawings, Shana Dumont Garr

Boston Globe, Boston, MA, July 28, 2015, Depictions and Disruptions, Cate McQuaid

Art New England, March/April 2015, The Physicality of Color, Christopher Volpe

Boston Globe, Boston, MA, April 17, 2014, Inspired by details of a place, Cate McQuaid 

Zitty Berlin, Der Tagesspiegel, July 27, 2012, Tagestipps

Boston Globe Magazine, June 16, 2012, 10 Contemporary works to see now, Cate McQuaid

Biking in Berlin catalog, Essay by Karin Lelonek, 2012

Boston Globe, December 24, 2008, Top Ten Shows of 2008, Cate McQuaid

Art New England, December/January 2007/08, Spotlight Review, David Raymond

Boston Globe, October 25, 2008, 'Nothing is happening: Minimalist works help provoke a meditative state,' Cate McQuaid

bigredandshiny.com, December 23, 2007, Drawing the Line at Mills Gallery, David Avruch

Many Kinds of Nothing catalog, Montserrat College of Art, Beverly, Massachusetts, 2008

Boston Globe, December 20, 2007, Drawing Show Works Around the Edges, Cate McQuaid

20th Drawing Show catalog, Mills Gallery, Boston Center for the Arts, essay by Maria Magdalena Campos Pons

meganandmurray.com, September 24, 2007, Nancy Murphy Spicer at Bernard Toale Gallery, Megan McMillan

Boston Globe, September 13, 2007, A Touch with Abstraction, Cate McQuaid

Art Papers, January/February 2005, Review of ‘Seamless’, David Hall

Number Magazine, Winter 2005, ‘Seamless’, Paul Behnke

Memphis Commercial Appeal, October 15, 2004, ‘Seamless’ a model of beauty, Frederic Koeppel

Seamless brochure, Memphis College of Art, 2004, essay by Cynthia Thompson

Boston Globe, July 11, 2004, Pretty, vacant: High-quality local work gets showcase at Tufts, Cate McQuaid

Boston Phoenix, March 5, 2004, Goodies at the DeCordova and the Fitchburg, C. Millis

New England/New Talent catalog, Fitchburg Art Museum, February 2004

Boston Globe, February 1, 2004, At 'The Drawing Show,' works literally leap off the page, Cate McQuaid

South End News, January 22, 2004, A painterly touch in BCA’s Drawing Show, Shawn Hill

Art New England, November/December 2003, Regional Reviews, Lauren O’Neal

Art Papers, November/December 2003, Reviews, Robin Bernat

Sculpture Magazine, September/October 2003, Review, Marty Carlock

Art New England, June/July 2003, Regional Reviews, Shawn Hill

Flat Not Flat brochure, Atlanta College of Art, May 2003, essay by Lisa Fischman

Boston Globe, January 2002, Critic’s Pick, Brickbottom Gallery show

Boston Globe, December 29, 2002, Best of 2002, Cate McQuaid

ArtsMedia, September 5, 2002, Gallery Section, Rachel Strutt

Boston Globe, August 23, 2002, Some Edgy Artists Play with Space, Cate McQuaid

Boston Globe, August 2002, Critic’s Pick, Green Street Gallery show

GRANTS/AWARDS

Anonymous Was A Woman Grant, 2020

Virginia Commonwealth University (VCUarts) Adjunct Faculty Research Grant, 2020

New American Paintings MFA Annual, No. 141, 2019

Virginia Commonwealth University (VCUarts) Adjunct Faculty Research Grant, 2018

The School of the Art Institute of Chicago, Dean's Scholarship, Chicago, IL, 2016-2018

American Association of University Women (AAUW), Career Development Grant, 2017

Ox-Bow Artists Residency, Merit Scholarship, Saugatuck, MI, 2017

Spike Associates, Venice Biennale Travel Grant, Venice, Italy, 2011

Spike Associates, Berlin Residency Grant, Berlin, Germany, 2010

Spike Associates, Curatorial Project Funding Grant, For Real exhibition, Bristol, UK, 2009

Boston Globe, Ten Best Shows of 2008, (Montserrat College of Art exhibition), 2008

Institute of Contemporary Art Boston, ICA Foster Prize Finalist, Boston, MA, 2008

Berkshire Taconic Community Foundation, Artist’s Resource Trust Grant, 2006

Somerville Arts Council, Artists Fellowship, Somerville, MA, 2001 and 2005

International Art Critics Association, Second Place. Best Show in an Alternative Space, 2004

Boston Globe, Ten Best Shows of 2002, (Green Street Gallery exhibition), 2002

Professional Development Grant, Massachusetts Cultural Council, Boston, MA, 2001

WRITING

Art Institute of Chicago exhibition book
Material Meanings: Selections from the Constance R. Caplan Collection Exhibition
Commissioned Essay on Cy Twombly's On Returning from Tonnicoda, 2020

The New Brag: Erasure and Co-Constitution of Self
MFA Thesis, School of the Art Institute of Chicago, 2018

WHAT WAS FOUND: The Archive Project
104-page artists book surveying 20 years of practice, 2018

The New Brag Paintings
32-page artists book including all paintings in the series
along with text by the artist and the subjects of the paintings, 2018

RESIDENCIES

Chicago Self-Designed Painting Residency, Chicago, IL, 2019

Watching Water Research Residencies, Portreath, Cornwall, UK, 2010-2014

Spike Associates, Berlin, Germany, 2010

Bath Storefront Residency, Bath, England, 2009

Bernard Toale Gallery, After Hours Residency, Boston, MA, 2005-2007

Memphis College of Art Gallery, Memphis College of Art, Memphis, TN, 2004

Atlanta College of Art Gallery, Atlanta College of Art, Atlanta, GA, 2003

STUDIOS

Charlottesville Home Studio, Charlottesville, VA, 2018-present

Mana Contemporary, Chicago, IL, 2017-2018

Skybox Studios, Chicago, IL, 2016-2017

Coca-Cola Bottling Works, Charlottesville, Virginia, USA, 2014-2016

Space Studios, London, UK, 2012-2014

Spike Island Studios, Bristol, UK, 2010-2012

BV Studios, Bristol, UK, 2009-2010

Vernon Street Studios, Somerville, MA, 1999-2008

COLLECTIONS

Work held in private collections in the US, UK, Germany, and Japan

Joan Flasch Artists' Book Collection at School of the Art Institute of Chicago

REPRESENTED BY

Bond Millen Gallery, Richmond, VA